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Showing posts with label top 20 of 2012. Show all posts
Showing posts with label top 20 of 2012. Show all posts

11 December 2012

From Tulle to Tweed's Top 20 Songs of 2012 (10-1)

As the list continues, female pop vocalists are heavily featured throughout my Top 20 picks.  During my childhood I was an avid listener of pop music; my free time was spent listening to a mix of Whitney Houston, Madonna, and Huey Lewis, at the height of their careers.  I continue to maintain a strong appreciation for synthesizers and pop ballads. 2012 was also a year where dub step gained more mainstream success.  Artists like Skrillex, were headliners for major music festivals and were placed in heavy rotation on Top 40 radio.  What once seemed to be a part of middle American fringe culture has emerged to become ubiquitous. 

10. Too Close-Alex Clare
An interesting barometer for a successful pop song is to analyze how often it is being utilized in commercials. British vocalist, Alex Clare, was provided a jolt of worldwide recognition when Too Close was picked up by Microsoft for their re-branding campaign. Heavily influenced by jazz and soul , Clare delivers a powerful male presence in the dubstep scene. Contrary to his ingenue contemporaries, Clare's vocals strongly lead the listener from the start of the song to the triumphant drop.


9. Let's Go-Matt & Kim
Following the success of the bombastic album Grand in 2008, Matt & Kim returned to the scene in 2012 with a more mature and musically rich album.  Lightning extends past college radio and embraces a sound that is much less disquieting to listen to.  Matt & Kim are at their best with a drum set and vocals that are full of angst.  However, Let's Go encourages listeners to sit back in their chairs rather than hurl them towards the stage.


8. Paddling Out-Miike Snow
Miike Snow is the moniker for Swedish electro pop artists Christian Karlsson and Pontus Winnberg.  With a background in music production, including a Grammy win for Britney Spear's Toxic, it is obvious that Miike Snow knows their way around dance music.  Catchy pop music is what Swedes do best and Miike Snow is no exception.  Paddling Out is off of Happy to You, the follow up to their 2009 self titled album.



7. Closer-Tegan & Sara
Artists Tegan & Sara fall into the category of musicians that listeners either love or hate with great intensity.  Many of their songs are reminiscent of coffee house ballads that one would expect to hear within the student union of a Seven Sisters college, sung by a wispy, wannabe, counter-cultural, trust fund ingenue.  Those statements aside, Closer is such a delightful anthem and a total antithesis of what one typically expects of Tegan & Sara.   



6. Oblivion-Grimes
Upon first listen of Grimes, one undoubtedly mistakes her for any one of the numerous indie pop singers who possess similar voices.  However, it is the playful nature of her voices that makes me return to listen.  Grimes is the stage name of Canadian Claire Boucher.  Grimes received widespread critical acclaim in 2012 for her album Visions.



5. The Chaser-Infinite
A personal favorite and one of the most underrated k-pop bands on the scene, Infinite was able to shine brightly through the jewel that is The Chaser. Known for their unique vocalization and harmony, this song is pure 1980's retro goodness.  Produced by k-pop powerhouse duo Sweetune, The Chaser was certainly one of the best k-pop songs of 2012.



4. Constant Conversations-Passion Pit
Constant Conversations delivers Passion Pit away from the carefree, soporific days of 2008's Sleepyhead and into the soulful caverns of adulthood.  Whereas Manners was the work of a group just emerging from anonymity, the desire to be rid of the trappings of celebrity is evident in GossamerConstant Conversations is poignant yet still maintains a sense of the electronic music Passion Pit has become famous for.



3. Get Free-Major Lazer (Minami of CREAM vocals)
I became enraptured when I first heard the original version of Get Free, which featured female vocals from the Dirty Projector's Amber.  Recently, producer and EDM powerhouse producer Diplo released a cover of Get Free with vocals provided by Minami of the Japanese performance duo CREAM ,in a promotional video for his Asian tour.I am waiting with bated breath for when Minami's cover will be available for purchase.


2. The Only Place-Best Coast
Having grown up in the Jersey Shore area, I loved this song the moment I heard it.  Admittedly, Bethany Cosentino of Best Coast did not fare well during her short stint on the East Coast.  In an interview with SPIN magazine, Bethany bemoaned her academic career at my husband's alma mater, The New School.  Her time spent in New York City was fleeting and chock full of angst.  That being said, it is implied that the best coast is the west coast.  As a Jersey girl, I am forced to disagree with this statement.  The Only Place is the perfect anthem to illustrate Shore towns prior to Hurricane Sandy.  Most inhabitants could never imagine living anywhere else, but near the ocean, where their dreams were constructed like sand castles.


1. Bad Boy-Big Bang
In April, following the release of Big Bang's album Alive, the hip hop blog World Star Hip Hop released what was supposed to be a hysterical video of an Asian pop band performing in hip hop wear.  Although, some comments were insensitive, the resounding reaction was that the song, Bad Boy, was a really good. While it does channel images of '90s R&B groups like Bel Biv Devoe and Teddy Riley's New Jack Swing, this song is yet another one of G-Dragon's diamond compositions. Bad Boy is the song that solidified my place as a Big Bang VIP and is most deservedly my pick for the Top Song of 2012.

 

Leave your comments and tell me who you think either made this list or been left off of it. 

09 December 2012

From Tulle to Tweed's Top 20 Songs of 2012 (20-15)


As someone who avidly consumes information from music blogs, I have always been a bit wary of 'best of lists'. Something about the format seems to imply neutrality, an objective ranking of one song as being above another. Rarely is my #1 anyone else's, and even when this is the case, #2-#10 may be contrary to my opinion. There is something self-centered about 'best of lists'. But I love the idea of sharing my favorite songs with my readers and so present my list. Agree, disagree, love it or hate it, I would love to hear your comments in the blog, as I certainly don't hold back from offering my own!

20.  Purity Ring-Belispeak
2012 was the year of ethereal female pop vocals overlapping strong electronic sounds. One of the most understated acts of the year was Purity Ring. Considered by most to be part of the sub-genre witch-house, Purity Ring evokes images of a supernatural dance party.



19. G-Dragon-Crayon
While this year introduced the world to K-pop via Gangnam Style, Big Bang frontman G-Dragon was busy songwriting and performing. Named Korea's Star News's number one songwriter for 2012, G-Dragon penned 17 hit songs in one year.  Crayon is from G-Dragon's second solo album, One of a Kind. Fans of hip hop and EDM should take note of G-Dragon, a bold musical pioneer who is creating a new frontier in Korean pop music.


18. Hot Chip-Night & Day
From the group that brought us the indie dance hit, Ready for the Floor, comes a science fiction inspired delight. With plenty of bleeps and samples, the song is just enough to make you rock on your feet without breaking too much of a sweat. Added bonus for the line: do I look like a rapper?



17. Twin Shadow-Five Seconds 
Almost perfect execution of eighties A.M. radio from a Hispanic indie rock star. George Lewis Jr. is one of the most interesting indie rockers in the current scene, with his stint on Anthony Bourdain's No Reservations being one of my favorite episodes.  Five Seconds is a soaring, epic song. The guitar riffs inspire me to put on leotards along with my leg warmers and begin Jazzercize warmups. 


16. Super Junior-SPY
It comes as no surprise to those who have read From Tulle to Tweed that I am a fan of K-pop.  However, when it comes to the big three Korean pop music agencies (SM, YG, and JYP Entertainment), I have never been a huge fan of SM artists. I once read an article comparing SM artists (SM Town) to the popular girls and boys at school who you love to hate. Differences aside, I was pleasantly surprised by Super Junior's SPY. The song merges elements of electro-swing, sixties spy music, hip hop, and pop. Extra bonus for being able to see Leetuk, Siwon, and Donghae looking dapper in their vintage inspired suits and tuxedos.


15. Ellie Goulding-High for This (Weeknd Cover)
2012 was Ellie Goulding's year.  The song Lights had been known by indie pop fans for some time but this was the year mainstream pop listeners heard her sweet, angelic voice. The antithesis of Lights is High for This, where Goulding maintains the cynicism that made this Weeknd song so eerily catchy.


 
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